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| Ba Gua Zhang | |
| Symbol: | |
| Founder: |
Tung Hai Chuan |
| Kanji: | |
| Meaning: | Eight Trigrams Palm |
| Doctrine: | Ba Gua is based on circular movement and palm strikes. It is one of the three main internal styles of Chinese Martial Arts. Also known as Pa Kua Chang. |
| Synopsis: | This fighting style is based upon Chinese
future telling, there are 8 signs upon a circle upon which the
practitioner walks endlessly. Then at a certain sign the practitioner bursts into movement, using indirect, circular attacks and deflections to take out an imaginary opponent. The object of these actions is usually the unbalancing and taking down of the opponent before hitting him where it hurts. As the practitioner walks around, attuned to the 8 signs, one of them will spring into his mind and he will act accordingly, performing a set of moves not unlike a short kata. These moves rely on subtlety and trickery to be successful. (Synopsis courtesy of Rathryn Ramos) |
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| Qin Na | |
| Doctrine: | Qin Na (also Chin Na) is not really a martial art, but a grappling component of many Chinese Martial Arts. It is studied by many martial artists because it has not been watered down like many other grappling arts due to sport competition. Qin Na retains much of its "martial" character. Evident in this is the signature use of finger locks. This technique is not practiced by many of the other grappling arts because it is considered "unfair," a sport concept. But techniques such as these can be a tremendous equalizer for a smaller person. This may account for the growing interest in Qin Na. |
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| TaijiQuan | |
| Founder: |
![]() Zhang Sanfeng |
| Kanji: | |
| Meaning: | Supreme Ultimate Fist |
| Doctrine: | One of the three internal Chinese Arts. It employs slow, exaggerated movements to teach the movement of Qi. Largely employed for health without its martial applications. Also known as Tai Chi Chuan. |
| Synopsis: |
Usually associated with slow-motion movements, T'ai Chi is often also associated with the elderly and those with little to no fighting interest. The style is very useful to become more aware of the attunement of the body and experienced practitioners will be able to feel the movement of individual bones, muscles and ligaments in the body during exercise, none of which must be under any kind of tension, mind you. However the style also harbors a darker side, one with very useful martial application as most of the slow-motion movements are practiced this way it propagates control, balance and muscle tension, furthermore most of the movements are either evasions or blocks, while the attacks are targeted at pressure points within the body. Apart from this attunement of the body and its movements and the martial applications, it is also said that it promotes cultivation of the 'chi' in the dan tien (a point 2 inches below the navel, basically the chi-battery), which will help is in achieving our daily goals. (Synopsis courtesy of Rathryn Ramos) |
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| XingYiQuan | |
| Founder: |
![]() Yue Fei |
| Kanji: | |
| Meaning: | Form Mind Fist |
| Doctrine: |
One of the three internal
Chinese Martial Arts. Based on linear movements and five fists which
are themselves based on the five elements.
Also known as Hsing Yi Chuan or Hsing I Chuan. |
| Synopsis: |
Hsing I is a soft, or internal, style of fighting from China, akin to T'ai Chi, but apparently less complicated, as some masters prefer teaching kung fu students this style before going on to T'ai Chi and Ba Gua Zhang. The style is performed with relaxed muscles that are never fully extended, meaning that all movements are slightly circular in their application even the ones that travel linearly. Students are taught to always grasp an incoming limb in anticipation of a throw or to push or pull an incoming opponent into counter-blows. There are 12 different styles based upon 12 different animals, two of these are the chicken and the swallow. Neither of which are commonly considered true fighting birds (with the exception of fighting cocks, perhaps), nonetheless they've inspired two styles of Hsing I. The Chicken style is based upon the observation of ancient martial artists of chickens fighting on one leg, whilst pecking and grabbing the opponent with the beak, battering him with the wings and clawing at him with the feet and these movements are incorporated in the system. The Swallow style is based not so much on direct fighting actions, as the swallow rarely fights, but more on the intimidation the animal attempts by swooping directly at opponents. This movement is very useful for evasion, if only by just a few inches, or for direct counter-takedowns. (Synopsis courtesy of Rathryn Ramos) |
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![]() Traditional Silk Uniform |
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